Not So Maddening
The reaction to Robert W. Chambers' The King in Yellow at the OBC might be described as lukewarm at best; no one really loved it but no one really disliked it either. Maybe because of the present hype about this evil, mysterious entity (that was presumably instigated by it being mentioned in the first season of the great crime series "True Detective") the expectations were a little higher than they should be - which is fatal for any book.
The King in Yellow consists of ten short stories that focus on mainly decadent, avantgarde characters who either live in Paris or in New York and usually study art - five of the stories involve the sinister presence called the King in Yellow or the play with the same name which drives its readers mad. Although it is a very powerful concept that can in a metaphorical sense show the impact of literature on readers, Chambers just doesn't carry out this theme as effective as he maybe might have. He always merely hints at the uncanny nature of things without elaborating them, which of course can be used to achieve a vigorous impression - but not here. This being said, this book is a whooping 122 years old and in a cultural environment in which the horror genre wasn't as drained and washed-out as in our present day, it must have been received with more enthusiasm than the amount of excitement we in the Otherland book club have experienced. Still, even in our horror engulfed times the yellow king perfectly works in some respects.


