Happiness is a Hard Master
by Inci German
Talking about dystopias,
it has always bothered me that Aldous Huxley’s Brave New World is mentioned in
the same breath with books such as 1984, We, Fahrenheit 451 or R.U.R.
First
off; I don’t want to undermine these other works. On the contrary,classical dystopian
fiction is the main reason I started reading speculative fiction and no matter
how old-fashioned, drenched or dated some may have come to be perceived
nowadays, dystopian ideas and universes continue to fascinate me in full force.
It’s just that in my opinion Huxley goes beyond depicting a mere dystopia; there’s
a very witty twist in Brave New World that distinguishes it from anything else
I have read to date. I couldn’t put my finger on what it was, until I read Adam
Roberts’ lines in his History of Science Fiction: “The greatest achievement of
Brave New World is not portraying dystopia; it is portraying dystopia as utopia.”
and I’ll take it from there.
When in the mid 90’s Therapy? sang “Happy people have no
stories” they certainly weren’t thinking about Aldous Huxley’s Brave New World. This is the story of
happy people. And ironically, it is a sad one.
Set in 632 After Ford (Henry Ford’s Model T was the first
car to be mass produced), Brave New World depicts a society based on “COMMUNITY,
IDENTITY, STABILITY”. People are genetically engineered, graded into castes and
hatched instead of born. After their hatching they continue to be conditioned to
be obedient, crafty consumers and sexual promiscuous citizens of the World
State. They live healthy, happy lives. And if they happen to have a bad day
there is always soma, the happy drug. This happiness and satisfaction is the
basis for social stability. Suppression in the conventional sense is completely
lacking here, since for the majority of people it is only logical that happiness
is a good thing we all should aspire to. And so thought utopian writers until Huxley,
who suggested “Well, maybe it’s not…” and confronted these two views.
